Saturday, March 04, 2017
Morality and the Artist
Truth does reside in material
things rather than only in the intellect, as Aristotle seems to have
almost said, and so if the Gods of religious tradition exist in a
non-material or spiritual realm then that view of God is only an
ascetically brought-on, inward, symbolic, human experience of God or
the Father, and is an incomplete view of Godhood.
Truth, beauty and goodness are
convertible, differing only in levels of overall
material and supermaterial evolution. All things desire the good,
said Aquinas, but what he did not say is that the good, truth and
beauty as well as Godhood are reached through the material and
supermaterial evolution of things or objects.
Physical, material, passions seek
ultimately to evolve to the zenith of these things, which is Godhood, and which is also the zenith of success in
material/supermaterial evolution. This sacred goal can guide the
passions but not curb them or block them---as traditional asceticism
does in its quest for the inward god---because the physical, material,
passions of material evolution are the means to Godhood.
That Inward Path to the symbolic inward God can be conservatively retained in the Twofold Path, but the Outward Path of material evolution to supermaterial Godhood transforms the Inward Path.
Modern art has no morality because it
believes in a relativity of morals and values, as its sisters and
brothers in postmodern philosophy do, where truth, beauty, and goodness
follow the passions, or the minds aimless inventions, with no goal other than power.
Yes, give the artists freedom to create
what they want to from their physical, material, passions, or from
wherever, but then judge, define, and choose morally the art that
affirms the evolution of life toward Godhood. Then the moral
imagination of Burke and Kirk can advance great works of realistic
and evolutionary moral art.
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