Wednesday, December 30, 2015
Thoughts on the modern definition of beauty and ugliness in art
If I agree that the human voice can
express emotion, and that music fundamentally seems to imitate the
human voice, music can this way also refine the human voice and make
of it sublime music. But “music” can also express the opposite, ugly,
painful sounds, as atonal (disordered) music often does.
Modern art in general has refused to
label disorder, pain, disharmony or ugliness as low art, and refused
to label order, pleasure, harmony, tonality, reality or traditional
beauty as high art. Music and art in general might this way
be labeled either noble and sublime, or ignoble and absurd.
It is difficult to believe that people
actually prefer sounds or sights of pain and disorder to sounds and
sights of pleasure and order---just as beautiful people are usually
preferred to ugly people. This makes it seem that people who claim to
prefer ugliness, pain, disorder and atonality are not telling the
truth, or have other motives. What might they be?
Promoting art that patronizes disorder,
pain, and disharmony is probably related to the desire to destroy the
culture or the people who affirm order, pleasure, and harmony. In
other words, modern “art” is not about art, it is about destruction, it is more like political and cultural
propaganda. Interesting that postmodern philosophy would agree with
this, but for Marxist reasons.
Later followers of the anti-life art
perspective might not have the same destructive motives as the
original purposeful tone-deaf philosophers of ugliness, and may
somehow be taught to like ugliness and disorder, or pretend to like
it, especially if their educational success depends on it.
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