Tuesday, December 22, 2015
High and Low Art
High art seems to have grown out
of low art. Folk music was refined into classical music, playful
dialogues became Shakespeare, novelties and amusements in silent film
became art films, and so on. I see nothing wrong with low art becoming high
art, and nothing wrong with them being separate, but with the following conditions.
Should high art look down its nose at
low art? High and low art can both affirm high morality, in their own
ways---in the best civilizations they tended to do that (Ancient Greece, Rome, and India, the High Middle Ages, England from 1688 to 1832). Today both high and low art create works that are decadent and degenerate because they
fulminate against high morality.
What is high morality? As the
evolutionary scientists say, morality has always been marked by its
conscious or unconscious affirmation of what is successful in
survival and reproduction. High morality affirms the zenith of
success as moving toward or attaining Godhood, with traditional
morality defining God mainly as an inward personal experience.
Theological materialism retains but
transforms the traditional inward experience of God---which required
blocking material drives---toward the outward material evolution of life
to real supermaterial Godhood. High and low art affirm this
morality, not by excessively moralizing but by creatively illuminating.
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