Friday, October 16, 2015
Transforming Religion and Art
It seems obvious that economic problems
move into political, philosophical, artistic, and finally religious
problems. In this way “beauty” has aesthetic and moral
dimensions, not one minus the other. Modern art went the other way,
rejecting the moral dimension in art, regarding it as mere
censorship.
Plato thought the moral dimension was
virtually all in regarding economic, political, philosophical,
artistic, and religious principles. In Plato's moral dimension the
highest Idea, or Form was free of all material or even supermaterial
attributes. I do not believe this is the zenith of reality, this was
free of all reality, and Plato needs a trans-valuation.
The material world evolves to Godhood. This grounded evaluation brings a deeply conservative and a transformed view of art and
religion. Admittedly this means believing in the value of “things
not seen,” which leaves us open to the charge of idealism, or
faith, but this time around the zenith of things is defined in the evolving, material and supermaterial world.
Defining the highest beauty, truth and
goodness remains an evolving, working definition because we will not
fully know Godhood until we evolve in the material and supermaterial
world to Godhood. Beauty, like Godhood, is not untethered from the material world.
Philosophers and scientists, like
poets, can also operate under divine inspiration, but it is
inspiration grounded in the material activation within life, defined
here as the Spirit-Will-To-Godhood, activating life to evolve toward
supermaterial Godhood, balancing with natural selection. This material translation of Godhood, opposite Plato, helps define the highest beauty, truth,
goodness, and reality.
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