There
is something gracious, Burkean, in Robert Lurie (Chronicles)
letting Bob Dylan off the hook for Dylan's 1960's legacy of decadent
radical songs, but I can't quite do it. Lurie points to the eight
years of, sort of, conservative songs and retreads of traditional
songs ("Nashville Skyline", "New Morning", etc),
as well as Dylan's years of trying, sort of, to have a traditional
home-life and marriage. It seems sad and pathetic to see the hoops
that conservative's have to jump through to try to find viable
conservative artists who might actually appeal to the people, even to
the point of squeezing Dylan into that format.
Why is it so
hard to find or develop conservative artists? I think the fault lies
in the basic and essential rejection of materialism at the heart of
Christianity and traditional religions---even given the valiant
efforts of great religious philosophers like Aquinas who laboriously
tried to salvage a place for real life, real living, within the
otherwise deeply ascetic and monastic ethos of true
Christianity. This anti-real-life-materialism has had more to do with
the decline of religion and the absence of conservative artists than
anything else.
Great art does
affirm the sacred, that is a positive mantra on this blog, but it is
nearly impossible to affirm anti-living and an exclusive inward life,
especially for creative young people. It was easier for Christianity,
and for art to affirm Christianity, in the days before science, which
can be seen in the great art of that pre-modern period. The Ancient
Greeks did not have that great spiritual blockade to work against and
their life-affirming art shows it.
What we speak of here, and
with theological materialism, is the Inward Path to the Father Within
of traditional religion transformed (not rejected) in the Outward
Path of material/supermaterial evolution to real Godhood, the God
first only symbolically experienced in the Inward Path. This
transformation can then help provide a way out of this conundrum for
conservative artists. The Great Spiritual Blockade has drained the
life out of modern conservative art---and religion as well. But
more deeply it has blocked the sacred material evolution of life to
Godhood.
Dylan didn’t show us the way out of the decadent
1960's, which is what he would have had to do to absolve himself of
the lefty damage he did, even if many of his lyrics were pure
gibberish. He is now back to endlessly touring and partying like a
rock star, sporting the almost ridiculous persona of an old white
blues singer.
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