Wednesday, June 12, 2019
The purpose of art is tied to the biological origin of social behavior which developed the moral imagination
If we deepen the term
“moral imagination” by Burke and Kirk we arrive at the biological
origin of social behavior, which includes the moral imagination, and
that is where art philosophy begins.
Looking through the
history of art and literature most people agree that the greatest art
is an affirmation of what the people and the society hold sacred. For
example, structures of architecture could be thought of as very large
sculptures which display in their form what the people and the
society hold sacred. If the architect and the society reject
traditional values and morals, as modern architecture tends to do,
then the architecture reflects that, which many people think makes
ugly architecture and ugly art.
Thinking of great art as
an affirmation of what the people and the society hold sacred, we can
also see that what the people and the society hold sacred also tends
to affirm real human nature. That is, tradition usually relates
closely to the sociobiological definition of human nature as being
kin-centered, gender defined, age-graded, heterosexual
marriage-making, hierarchical, ethnocentric, even xenophobic, and
religious-making, among other things, with group-selection as the
primary unit of selection.
The purpose of art in the
deep sense is tied to the biological origin of social behavior which
developed the “permanent things” and the “moral imagination”
of Burke and Kirk. That is how great art can arrive at the
affirmation of a specific people, ethnic groups, cultures, and societies,
which we see in different religious art and national art.
But all great art shares
the same affirmation of what the people and the society hold sacred,
and what is sacred is related to real human nature, the biological
origin of social behavior, and the survival and reproductive drives.
Modern and postmodern art
reflects ugliness, decadence, and degeneration because it spends most
of its time both rejecting the affirmation of the sacred and
attacking real human nature.
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