Toward evolutionary sacred art philosophy

I see cultural and art creations not strictly as only the intention of the creators, not the consequence of ideological systems (see the French), not merely libidinal forces, and not the consequence of historical materialism, or economic determinism, although all of these are included in cultural creations to a certain extent.

I see cultural and art creations as primarily the consequence of biological and genetic instincts related to successful survival and reproduction, along with the deeper sacred activating forces of life and evolution, as defined in theological materialism. This includes, along with the instinctive survival needs of the author, the survival needs of group-selection within which the author exists.

To change a statement by Roland Barthe about literature really being capitalist language speaking and not the author speaking, it is biology speaking deeper than the author's voice, and also speaking is the sacred goal of biological evolution activating creation to evolve toward Godhood. The new anti-intention, anti-author, criticism seems largely to be an attempt to empower the critic as the main center of literary and cultural meaning, a bold intellectual grab for power by middlemen, intentional or not, who tend to give works illusions never intended and not instinctively or biologically present.