Is “existence
suspended,” in the experience of beauty, and do we become
“detached” from immediate desires, is “disinterestedness” the
central idea, all of which Kant suggests regarding art?
There
is adaptive value to beauty which can be see n in both art and
religion. One of the primary attributes of Godhood in theological
materialism is to attain the zenith of beauty, along with the zenith
of intelligence and the zenith of noble character. These higher
values are here understood as evolved to
in material and supermaterial evolution, which is where their
adaptive value resides.
Contrary to Kant the “imaginative
experience” of art is not detached from real biological life, it
intensities, enhances, and expands life. Works of art do happen in
the mind but they are not removed from biological drives and
instincts. The fiction-drive relates to the beauty-instinct in the
biological ways of desire. Beauty in human beings is related to good
health and good health has survival and reproductive value.
Only
when we trans-value and remove the definition of God from material
and supermaterial life do we define beauty in art as suspended from
life, after which art can only be seen in disinterestedness, which it
is to many gurus. When Godhood is seen as a non-material,
spiritual-only construction in the mind or soul, that is when art and
religion depart from the real world.
We drifted away from
didactic and moral art as we became more literate, but as
evolutionary psychologists point out, story-telling had survival
benefits in the Pleistocene. It still does, when we relate beauty to
real biological life, evolution, and religion. There is no need to
use a hammer to didactically or morally inspire us, art is usually
best when it is subtle. Imagining Godhood attained in future material
and supermaterial evolution has religious and artistic value, but it
also has survival and reproductive value.
Friday, November 27, 2020
How art can imitate and expand life (from the archive)
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